 |
| Designed by Jakob Fischer, Minimum Waste is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk. |
Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!
 |
| Download Minimum Waste Fonts Family From Pizzadude.dk |
 |
| Designed by John Roshell, The Story So Far & Near is a display sans font family. This typeface has eight styles and was published by Comicraft. |
Don’t say it! Is this THE END of THE STORY SO FAR?! Is there REALLY an END to ANY story, or just a place where it STOPS? We started near the beginning of the end, and now we are near the end of the beginning, so far away and yet so close… but Ends are not bad things and many ends aren’t really an ending, especially when you are merely near the end of a never ending story. Are you anywhere near with us so far?
 |
| Designed by Thomas Mettendorf, Metroflex Pro Narrow is a sans serif font family. This typeface has ten styles and was published by GarageFonts. |
This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.
Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.
Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.
 |
| Designed by John Roshell, Mr Mamoulian is a hand display font family. This typeface has three styles and was published by Comicraft. |
In some way I was Mr Mamoulian and someone else was writing and drawing this stuff. He said he was Albanian and thathis name was Alban Skandabaeg.. He kept sending me these pages. I had to sign my name and pass them off as my own. They wouldn’t have published the stuff otherwise. I had no choice. He was holding my aged mother hostage you see. I told him when the pages were due and he somehow got them to me. Sometimes he left them in secret locations. I don’t remember them at all.’—Brian Bolland, BOLLAND STRIPS
 |
| Designed by John Roshell, Pass The Port is a display serif font family. This typeface has two styles and was published by Comicraft. |
There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin’ in the tavern and there’s talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.
 |
| Designed by John Roshell, Speeding Bullet is a comic, hand drawn and retro font family. This typeface has four styles and was published by Comicraft. |
Introducing… SPEEDING BULLET—featuring SPEED TRAILS for increasing the, ah, speed of your bullets! Quick as The Flash, slicker than Quicksilver, the latest in our popular line of silver age display fonts could probably outrun a locomotive AND jump buildings in a single bound. It’s ASTOUNDING, it’s STARTLING, it’s ELECTRIFYING, PERAMBULATING, DISCOMBOBULATING and RETROFITTING. It really is Faster than a Speeding Bullet. Try it out for yourself. Under adult supervision, natch’.
 |
| Designed by John Roshell, Adamantium is a novelty font family. This typeface has two styles and was published by Comicraft. |
Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099. Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.
Designed by Jeff Levine, Antique Stencil Borders Two JNL is a stencil and dingbat font published by Jeff Levine Fonts.
Antique Stencil Borders Two JNL is the follow-up collection to the July, 2018 release of Antique Stencil Borders JNL and features twenty-six more decorative stencil borders from various vintage sources.
 |
| Designed by Pavel Korzhenko, Benigne Sans is a sans serif font family. This typeface has sixteen styles and was published by Vintage Voyage Design. |
VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols.
OpenTypeFeatures Ligatures, alternates, old style numerals and fractions.
Enjoy! VVDS
 |
| Download Benigne Sans Fonts Family From Vintage Voyage Design |
 |
| Designed by John Roshell, Dutch Courage is an art deco, hand display and hand drawn font family. This typeface has four styles and was published by Comicraft. |
Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld’s controversial relaunch of Marvel’s CAPTAIN AMERICA.
 |
| Mantonico is a serif font family. This typeface has sixteen styles and was published by Pepper Type. |
Mantonico is a soft and friendly serif type family with low x-height. Its slightly wide proportions and prominent terminals create a peculiar texture suitable for long reading.
The style range encompasses 8 weights with corresponding italics. The italics themselves are designed for a specifically soft, almost fluid feel.
The typeface features rich language support including Cyrillic and a wide range of OpenType options such as small capitals, numerous sets of digits and over 300 swashed characters.
Designed by Thomas Mettendorf, Metroflex Pro Uni is a sans serif font family. This typeface has ten styles and was published by GarageFonts.
This is Metroflex Pro, an urban, multi purpose standard type system, engineered like a
machine. The design was inspired by the Fritz Lang’s Metropolis, a silent film created in 1926. The basic idea was to design a standard type system that fits into the world of Lang’s Metropolis.
Metroflex Pro features original ideas and solutions that have roots in the present while inspired by past designs such as Univers, Futura, Steile Futura and DIN.
Metroflex Pro - a practical communication tool for contemporary design available in 3 widths: Uni, Narrow and Wide, and five weights: Light, Regular, Medium, Bold and Heavy with Obliques.
Designed by John Roshell, To Be Continued is a display sans font family. This typeface has four styles and was published by Comicraft.
Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies… the characters known only as ToBeContinued. Will our heroes survive? Will justice prevail? Will the forces of good defeat the forces of darkness…? To Be Continued…